Musical Performances
Baltimore Crazy Quilt: An Opera-esque Musical © 2010 Carol E.R. Collins
All lyrics, music, and arrangements © 1996-2010, 2012 Carol E.R. Collins
All rights reserved
Baltimore Crazy Quilt:
An Opera-esque Musical
Selections from Scenes 5 & 6
presented by Goat Hall Productions
as part of
"Incarnate" Fresh Voices XV
Festival of New Works
July 10-11, 2015
Community Music Center
San Francisco, California
Jill Wagoner, soprano
Raiña Parks, soprano
Meghan Dibble, mezzo-soprano
Mark Alburger, tenor
Frank Johnson, piano
Keith Adams, arranger

This is the logo for the musical, which reflects the patchwork that is our crazy world.

This violin recording of Epithalamium, composed by Carol E.R. Collins, © 2026, is here performed by Casey Bozell, violinist, during the Melody Writing Final Concert 2026. This was part of a class taught by Steve Lewis, composer.
The term epithalamium originates from the ancient Greek that literally means epi (“upon”) thalamus (“bridal chamber”). It was a song performed by a female chorus that paraded and sang through the streets under the stars to celebrate the marriage of one of the former members of their virginal group. Led by a drummer and an aulete, the chorus eventually arrived at and sang under the window of the newlyweds at the break of dawn to usher them out of their nuptial chambers. I have composed violin music to represent a drumbeat, an aulos, choral singing, parading, dancing, with occasional stars ringing in the heavens. A “wake up” motif runs throughout; and near the end of the piece, you should listen for the brighter star (the sun) at daybreak. I chose the ancient Phrygian Scale, which at a slower tempo has a wistful quality, and at a faster tempo encapsulates a frenetic mood. This range of emotions represents a ceremony in which young women, although they celebrate the wedding of their friend, must reluctantly release this beloved member of their group.